Amistad Reviews

Critic & User Reviews

Metascore ®: 68
Based upon 9 Critic Reviews
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What Common Sense Media Says...

Family Rating: On | Only for kids 14 + More Family Rating Details

Critic Reviews

ReelViews | James Berardinelli

Thematically rich, impeccably crafted, and intellectually stimulating, the only area where this movie falls a little short is in its emotional impact.

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88
Washington Post | Rita Kempley

Hounsou, a West African model with beauty and presence but no acting experience, carries much of the movie on his broad shoulders with surprising skill and strength.

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80
Chicago Sun-Times | Roger Ebert

What is most valuable about Amistad is the way it provides faces and names for its African characters, whom the movies so often make into faceless victims.

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75
The New York Times | Janet Maslin

Dwarfed by the enormity of what it means to illustrate, the diffuse Amistad divides its energies among many concerns: the pain and strangeness of the captives' experience, the Presidential election in which they become a factor, the stirrings of civil war, and the great many bewhiskered abolitionists and legal representatives who argue about their fate.

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70
Variety | Emanuel Levy

Aiming to instruct as well as entertain --- and often struggling to reconcile these two divergent goals.

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70
Slate | David Edelstein

After an electrifyingly feral opening, the movie settles down into a cogent courtroom drama, with no real cinematic highs but no jaw-dropping lows, either.

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60
Washington Post | Desson Thomson

Although the movie is moving and even funny in many places, it's also overextended. And composer John Williams's syrupy score practically oozes from your ears on the drive home.

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60
Los Angeles Times | Kenneth Turan

What saved "Schindler's List" from this self-conscious nobility was the ambiguity of Oskar Schindler's personality and Spielberg's willingness to treat incendiary material coolly. The lesson he seemed to have learned there, that the strongest stories call for the greatest restraint, is one he has at least partially forgotten here.

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60
San Francisco Chronicle | Edward Guthmann

Spielberg uses a more conventional format than he did in the stripped-down black-and-white "Schindler's List,'' and delivers a film that veers between stoic political correctness and mushy pop-Hollywood platitudes.

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50

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