Appaloosa Reviews

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Critic Reviews

Rolling Stone | Peter Travers

Appaloosa is gripping entertainment that keeps springing surprises.

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88
The Hollywood Reporter | Kirk Honeycutt

A fine dramatic comedy with fresh characters, witty dialogue and a keen interest in how relationships must have developed among frontier folks, tyrannical ranchers, no-nonsense lawmen and -- oh, yes -- the complicated women on that frontier.

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80
San Francisco Chronicle | Peter Hartlaub

Most of the time, the movie is appropriately gritty and plenty engaging.

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75
Boston Globe | Wesley Morris

A warmly made, slightly offbeat movie about friendly devotion. It also happens to be a western, and every man in it is grizzled or wizened or both.

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75
ReelViews | James Berardinelli

Westerns often take themselves seriously and, while Appaloosa is no "Blazing Saddles," there's a refreshing vein of understated humor running throughout the production.

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75
Chicago Sun-Times | Roger Ebert

What makes the movie absorbing is the way it harmonizes all the character strands and traits and weaves them into something more engaging than a mere 1-2-3 plot. I felt like I did in "Lonesome Dove" -- that there was a chair for me on the porch.

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75
Washington Post | Mike Mayo

Harris and Mortensen may not have the combined star power to push Appaloosa to the level of popularity of last year's "3:10," but the film is every bit as enjoyable, and, for traditionalists, more measured.

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70
Entertainment Weekly | Owen Gleiberman

A throwback to the age when Westerns were quaint.

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67
The Onion (A.V. Club) | Scott Tobias

As with many other mediocre actor-directors, Harris' attention to the performances, including his own fine turn, has cost him in other areas.

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67
USA Today | Claudia Puig

Harris is a major asset in a film that is entertaining but somewhat unfocused and occasionally badly cast.

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63
Los Angeles Times | Kenneth Turan

The two men collaborate so well, in fact, that the real love match of Appaloosa is between the two of them and no one else.

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60
The New York Times | A.O. Scott

The movie's tolerant, good-humored view of its characters drains it of some dramatic intensity, but Mr. Harris seems more interested in piquant, offhand moments than in big, straining confrontations.

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60
Variety | Todd McCarthy

Harris' first directorial outing since his impressive and entirely different "Pollock" biopic bears echoes of many genre predecessors, especially Howard Hawks' "Rio Bravo" -- but echoes they remain.

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50
Wall Street Journal | Joe Morgenstern

Mannered, episodic and slow.

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40

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