Bottle Shock Reviews

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Critic Reviews

Chicago Sun-Times | Roger Ebert

Bottle Shock is more than the story. It is also about people who love their work, care about it with passion and talk about it with knowledge.

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88
The Hollywood Reporter | Stephen Farber

This intelligent, affectionate, beautifully acted movie gives crowd-pleasers a good name.

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80
USA Today | Claudia Puig

It's the kind of feel-good movie whose resolution is evident from the start, being based as it is on a true story. But that doesn't make the journey any less interesting.

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75
Rolling Stone | Peter Travers

It's a winner. And not just for oenophiles. Director Randall Miller, who co-wrote the script with his wife Jody Savin, keeps the plot brimming with spirit and wit.

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75
Boston Globe | Ty Burr

Low budget, self-distributed, awkwardly charming, it's the kind of midrange Hollywood entertainment that's supposed to be extinct in this modern age. It makes you want to support your local vintner and your local moviemaker.

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75
Washington Post | Stephen Hunter

Whatta movie: booze, unhappy French people, Alan Rickman and really cool pickup trucks.

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70
Variety | Robert Koehler

Wine lovers won't just sip but guzzle a lot of this down, and the same effect that sun-dappled days and sex in California had on "Sideways" operates here.

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70
Slate | Dana Stevens

So why did I feel such affection for this scruffy, hokey little movie? Maybe it's the same logic that applies to wine-drinking itself: Sure, a great claret would be ideal, but an OK rosé is better than washing down your dinner with water.

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60
The Onion (A.V. Club) | Tasha Robinson

Trouble is, it's too rambling and digressive to feel focused, yet too calculating to feel as observational and natural as a good Altman flick.

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58
Los Angeles Times | Michael Ordona

The soul of the grape, that thing that elevates a wine to greatness, proves here as elusive on screen as in the bottle.

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50
The New York Times | A.O. Scott

Bottle Shock is unable to figure out what kind of movie it wants to be, and flops around between madcap comedy and rousing drama. To borrow a wine-snob term of art, it lacks structure.

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50
San Francisco Chronicle | Reyhan Harmanci

This schlocky period piece doesn't do the pioneering Northern Californians justice. The script is overwritten to the point of parody.

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25

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