Dracula, Pages From a Virgin's Diary Reviews

Critic & User Reviews

Metascore ®: 82
Based upon 9 Critic Reviews
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Critic Reviews

Boston Globe | Wesley Morris

Guy Maddin is a scholar, poet, prankster, and ferociously devoted classicist who likes to resurrect dead cinemas and deader directors and make them vital all over again.

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100
Los Angeles Times | Manohla Dargis

It's sexy, brainy and slightly nuts.

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90
Washington Post | Desson Thomson

Brings kinetic, stylistic and even sexy dimension to the Bram Stoker legend.

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90
The Onion (A.V. Club) | Scott Tobias

An inspired, original, and gracefully integrated collaboration of theater and cinema that complements not only both forms, but also the seductive, dreamlike qualities of the source material.

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90
Chicago Sun-Times | Roger Ebert

The film is poetic and erotic, creepy and melodramatic, overwrought and sometimes mocking, as if F. W. Murnau's "Nosferatu" (1922) had a long-lost musical version.

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88
The New York Times | Stephen Holden

For all its eccentricities and technical quirks, Dracula is a compelling expressionistic work.

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80
Variety | Deborah Young

Though it sounds like an offbeat idea even for horror fans, the tech work is so well done that it could disarm unwary buffs attracted by the campy title.

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80
San Francisco Chronicle | Edward Guthmann

Succeeds despite that mismatch of artist and material.

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75
Entertainment Weekly | Owen Gleiberman

Maddin chops it up into a feature-length antique-bloodsucker video, and the result takes hold neither as dance nor as silent horror dream.

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50

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