Elegy Reviews
Critic & User Reviews
Critic Reviews
There's a poetic irony to the idea that it took a female filmmaker to finally do justice to Philip Roth on screen.
Read the full reviewTrue to its title, Elegy is a spare, meditative and melancholy film. It is a deeply affecting and profoundly observed saga about love, art, beauty and, especially, mortality.
Read the full reviewThis is an offering for mature viewers thrown out amidst a sea of summer flotsam. The title, Elegy, is perfect for the material. There is much tragedy and truth in what the makers of this movie have brought to the screen.
Read the full reviewBy the time it's over, Penelope Cruz has slipped away with it, and transformed Kingsley's character in the process. It's nicely done.
Read the full reviewAs an acting showcase that builds to some unexpectedly moving moments, Elegy has much to recommend it. Had Coixet found better ways to connect those moments, she might have REALLY had something to rival what Roth does on the page.
Read the full reviewSparse, low-budget drama, helmed by Spaniard Isabel Coixet, intelligently translates Roth's meditation on lust and mortality without soft-pedaling its narrator's brutally honest, unabashedly sexist views.
Read the full reviewElegy drifts helplessly into melodrama, and it loses its bearings and its head in a ridiculous final act.
Read the full reviewWhat line is thinner than the one between confession and narcissism? Upon that line, exactly, does Elegy dwell, before tumbling off on the bad side.
Read the full reviewThe problem with Elegy has nothing to do with faithfulness and everything to do with interpretation. The film is an overly polite take on a spiky, claustrophobic, insistently impolite novel.
Read the full reviewCruz's performance deserves to be seen widely, and it should place her again in line for prizes, but the story's pretensions and downbeat mood will not endear the film to audiences.
Read the full reviewElegy seems determined to make real every ageist dig that could be thrown its way -- out of touch, balefully slow and, for a film at least partly about the zesty enterprise of sex, awfully lifeless.
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