Gonzo: The Life and Work of Dr. Hunter S. Thompson Reviews

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Critic Reviews

Entertainment Weekly | Owen Gleiberman

The movie also captures Thompson's tragedy: the haze of drugs and bad writing that consumed him for no less than his last 30 years.

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91
The Hollywood Reporter | Kirk Honeycutt

A biographical documentary doesn't get any better than this.

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90
The New York Times | A.O. Scott

It is to Mr. Gibney?s great credit that while he pays due attention to the outsize, cartoonish celebrity persona Thompson fell back on when his literary powers began to wane, this film concentrates on the bold, innovative journalism that secured Thompson?s reputation and assures his immortality.

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90
USA Today | Claudia Puig

A mesmerizing look at the mythic quality and anarchic spirit of the irreverent and rabble-rousing journalist.

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88
Chicago Sun-Times | Roger Ebert

It leaves you wondering, how was it that so many people liked this man who does not seem to have liked himself?

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88
Rolling Stone | Peter Travers

Johnny Depp, who paid for the 2005 funeral in which Thompson's ashes were fired out of a cannon, narrates with just the right mix of awe and impertinence.

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88
Variety | Dennis Harvey

Subject's career being inextricably tied to two extremely entertaining U.S. decades, Gonzo has a wealth of delightful archival footage to draw on, both directly involving Thompson and evoking the cultural landscape around him.

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80
The Onion (A.V. Club) | Keith Phipps

It's more Thompson-for-beginners than an exhaustive inquiry, but as introductions go, it's thorough and thoughtful.

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75
San Francisco Chronicle | Mick LaSalle

The film is thorough and entertaining. It's enthusiastic about his contributions, but it's no hagiography, and it serves as both a celebration and a cautionary tale.

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75
Boston Globe | Wesley Morris

Thompson - his brilliance, his self-destruction, and the ground he broke - is always at the center, but the film occasionally loses its focus.

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63
Washington Post | Stephen Hunter

It seems to celebrate him more for his attitude, his fashionably leftist politics, his fame and his friendships than for any meaningful accomplishment.

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50
Los Angeles Times | Kenneth Turan

Instead of pushing for tough answers to difficult questions, this film is content to mythologize Thompson's bad-boy behavior, celebrating things like his willingness to drink a bottle of bourbon a day and go hunting with a submachine gun.

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50

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