Lakeview Terrace Reviews

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Critic Reviews

Chicago Sun-Times | Roger Ebert

I find movies like this alive and provoking, and I'm exhilarated to have my thinking challenged at every step of the way.

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100
San Francisco Chronicle | Mick LaSalle

A conventional suspense thriller, but the details kick it up a notch.

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75
Variety | Dennis Harvey

Delivers fairly tense and engrossing drama before succumbing to thriller convention.

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60
ReelViews | James Berardinelli

In pandering to Hollywood standards about how stories like this should unfold, LaBute has lost his edge.

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50
USA Today | Claudia Puig

Anyone who has ever had an annoying neighbor will see their worst nightmares fulfilled in the overheated but entertaining Lakeview Terrace.

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50
Rolling Stone | Peter Travers

The main problem with this treatise on racial politics undercover as an exercise in suspense is that the director, Neil LaBute, didn't write the script.

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50
Los Angeles Times | Robert Abele

Jackson modulates Abel's internal turmoil and heated exchanges with enough shades of loneliness, steely generosity and wicked playfulness to give the actor firm control of our fascination and growing unease.

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50
The New York Times | A.O. Scott

A passable piece of hackwork, with some adequately suspenseful passages and a few mild shocks near the end. But the psychological dimensions of the story are so risible, and its supposed insights into race and class so wrongheaded and ugly, that irritation trumps enjoyment.

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50
Entertainment Weekly | Gregory Kirschling

Jackson is the best thing here.

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42
The Onion (A.V. Club) | Scott Tobias

Ultimately, Lakeview Terrace isn't about race so much as it's about being a man, which has been LaBute's fallback theme from the start.

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42
The Hollywood Reporter | Sura Wood

The film, absent a sense of place and populated by repellent or weak characters, soon devolves into an increasingly foul litany of events.

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40
Boston Globe | Wesley Morris

The movie might have something to say about black racism, but the conversations go nowhere, and the cliches of the genre take over.

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25

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