Savage Grace Reviews

Critic & User Reviews

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Family Rating: Pause | Only for kids 17 + More Family Rating Details

Critic Reviews

Rolling Stone | Peter Travers

Money, madness, incest and murder! Just the recipe for a twisted mesmerizer of a movie, if it doesn't creep you out.

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75
The Hollywood Reporter | Bernard Besserglik

U.S. viewers may be put off by its tangled sexual motifs and find its implied social critique a little close to the bone. But even Stateside, Julianne Moore, in her most challenging role in years, will win plaudits and attract mature audiences to a thoroughly absorbing and polished piece of work.

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70
The Onion (A.V. Club) | Scott Tobias

Savage Grace should have the force of Greek tragedy, but Kalin's chamber drama feels curiously stifling and flat, and Moore's volatile turn isn't enough to quicken its pulse.

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67
Entertainment Weekly | Owen Gleiberman

The director, Tom Kalin, stages acid duels, but he should have provided more psychological structure. Though Moore, a great actress, turns fury into verbal music, we're never quite sure what's driving her.

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67
Boston Globe | Ty Burr

A chilly inquest into very bad behavior, Savage Grace is presented to us like an entrée at a five-star French restaurant. It's decadence under glass.

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63
Chicago Sun-Times | Roger Ebert

Living these lives, for these people, must have been sad and tedious, and so, inevitably, is their story, and it must be said, the film about it.

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63
Los Angeles Times | Mark Olsen

It's tough to think of another film in which sex between a mother and her son is not necessarily the worst thing that happens.

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60
USA Today | Claudia Puig

Savage Grace is a thoroughly disturbing story, told in a detached style rendering the overall experience an unsettling blend of lurid and vacuous.

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50
Variety | Jay Weissberg

Scripter Howard A. Rodman's treatment of an enthralling book is more a series of vignettes rather than a fully connected work, and helmer Tom Kalin seems unable to decide how much Sirkian melodrama to introduce into the heady mix. Gone are the reasons to be fascinated with these people, merely replaced with maddeningly over-arch dialogue and struggles with characterization.

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50
The New York Times | A.O. Scott

Proust might have known what to do with the Baekelands, but Mr. Kalin and Mr. Rodman don't make much more of them than the mess they apparently already were.

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40
Washington Post | Stephen Hunter

What Kalin fails to provide in the slightest degree is energy. The movie just sloshes along in a heavy, slightly overdone way.

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30
San Francisco Chronicle | Walter Addiego

An unbroken flow of sad or nasty incidents.

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25

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