Tell No One (Ne le dis a personne) Reviews

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Critic Reviews

Entertainment Weekly | Owen Gleiberman

Tell No One's plot thickens in about five ways at once, but they're all connected. The issue of how is a riddle that does more than tease --gives you an itch you won't want to stop scratching.

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91
The New York Times | Stephen Holden

Beautifully written and acted, Tell No One is a labyrinth in which to get deliriously lost.

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90
Wall Street Journal | Joe Morgenstern

Thrillers aren't always so thrilling, but Tell No One is -- and absorbing, sometimes perplexing and often stirring as well.

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90
The Hollywood Reporter | Kirk Honeycutt

Spicing up the entire package is a screenplay by Canet and Philippe Lefebvre that bristles with wit and energy.

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90
Los Angeles Times | Kenneth Turan

Author Coben, who says he is a fan of "stories that move you, that grab hold of your heart and do not let it go," has gotten a film that does exactly that.

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90
Chicago Sun-Times | Roger Ebert

Even when it's baffling, it's never boring. I've heard of airtight plots. This one is not merely airtight, but hermetically sealed.

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88
Rolling Stone | Peter Travers

The movie brims over with action -- check out Alex's run through traffic on the Paris beltway -- but Canet scores a triumph by plumbing the violence of the mind.

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88
Washington Post | Ann Hornaday

A crafty, swift, subtly stylish thriller.

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80
San Francisco Chronicle | Reyhan Harmanci

It just does everything really well: perfect pacing, lovely camera work, spot-on acting and an ingenious plot.

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75
The Onion (A.V. Club) | Noel Murray

The story starts at a low boil and quickly heats up, but the problem with Tell No One--a common problem with contemporary pulp literature--is that at some point, all the narrative's intriguing questions resolve with prosaic answers, delivered in long, convoluted speeches by people wielding guns.

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75
Variety | Lisa Nesselson

Though almost laughably intricate in its plotting, this thoroughly Gallic adaptation of Harlan Coben's novel reps an entertaining sophomore outing for thesp-turned-director Guillaume Canet.

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70
Boston Globe | Wesley Morris

Once the final character has put the last puzzle piece in place, courtesy of an epic explanation, a kind of relief sets in: Someone just needed to spell it all out. It does not entirely help.

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63

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