The Dark Knight Reviews

Enthralling...An ambitious, full-bodied crime epic of gratifying scope and moral complexity, this is seriously brainy pop entertainment that satisfies every expectation raised by its hit predecessor and then some.

When was the last time you saw a blockbuster that was impeccably executed and simultaneously thought-provoking, audacious and unnerving while consistently being fun and entertaining?

May be the most hopeless, despairing comic-book movie in memory. It creates a world where being a superhero is at best a double-edged sword and no triumph is likely to be anything but short-lived.

"Batman" isn't a comic book anymore. Christopher Nolan's The Dark Knight is a haunted film that leaps beyond its origins and becomes an engrossing tragedy. It creates characters we come to care about. That's because of the performances, because of the direction, because of the writing, and because of the superlative technical quality of the entire production.

Pitched at the divide between art and industry, poetry and entertainment, it goes darker and deeper than any Hollywood movie of its comic-book kind.

An action blockbuster extravaganza that's sadder than sad and never pretends otherwise.

You keep waiting for the movie to clarify, to settle down to its archetypal purity: icon of psychotic evil against icon of neurotic good. Music by Wagner in his "Götterdämmerung" mood, screenplay by Nietzsche, with additional lines by Babaloo Mandel. Oh, what a great big movie wallow, what a transformational blast of cine-pleasure. It never quite arrives