The Duchess Reviews

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Critic Reviews

Chicago Sun-Times | Roger Ebert

This is not one of those delightful movies based on a Jane Austen novel. It is about hard realists, constrained in a stifling system and using whatever weapons they can command.

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88
The Onion (A.V. Club) | Noel Murray

Thoroughly populist and middlebrow, full of all the high wigs, thick powder, perfect diction, and straightforward dialogue that define bodice-ripping prestige pictures about silently suffering souls.

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83
Los Angeles Times | Kenneth Turan

Even surrounded by all this quality work, Ralph Fiennes, who plays William Cavendish, the fifth duke of Devonshire, the most powerful man in England next to the king, walks off with the picture.

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80
Rolling Stone | Peter Travers

It's Knightley who makes The Duchess a royal treat.

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75
USA Today | Claudia Puig

Princess Diana's antecedent, both genetically and figuratively, was a beautiful and glamorous duchess named Georgiana Spencer. Like her descendant, her charm and vivacity captivated England.

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75
San Francisco Chronicle | Ruthe Stein

It tells the amazing, but mostly true, story of a late-18th century aristocrat who made an indelible mark on English society akin to that of her direct descendant, Lady Diana.

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75
Entertainment Weekly | Lisa Schwarzbaum

Fiennes speaks with his body what the script cannot formulate about what it's like to be a man apart. The actor creates particulars of time, space, class, and personality with one crook of a finger, one twist of a wrist. I call that nobility of craft; he's the actors' prince.

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75
The Hollywood Reporter | Kirk Honeycutt

Keira Knightley is a terrific choice to play the 18th century socialite.

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70
Boston Globe | Ty Burr

At a certain point, The Duchess stops attending to the topiary and becomes a women's melodrama instead.

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63
Variety | Justin Chang

A serviceable picture that offers all the sumptuous visual pleasures of a historical costume drama, yet little in the way of actual history.

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60
Washington Post | John Anderson

It's too bad there's not more substance to The Duchess, because there's lots of acting and, as is required of a Brit-styled period piece, lushness galore.

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60
ReelViews | James Berardinelli

It has impeccable production values but feels like a "Masterpiece Theater" production of a Harlequin romance novel.

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50
The New York Times | Manohla Dargis

An overstuffed, intellectually underbaked portrait of a poor little rich girl.

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40

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