What We Do Is Secret Reviews

Critic & User Reviews

Metascore ®: 63
Based upon 8 Critic Reviews
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Critic Reviews

Variety | Phil Gallo

Actor Shane West and writer-director Rodger Grossman have a clear, unwavering perspective on Crash that should entice curiosity seekers and old punks.

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80
San Francisco Chronicle | David Wiegand

Grossman does a workmanlike job with the film, but his direction and script don't really offer any great insight into Darby's tortured soul.

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75
The Hollywood Reporter | Chris Morris

Ex-Germs infect biopic with punk authenticity

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70
Boston Globe | Ty Burr

One for the fans, even though writer-director Rodger Grossman and co-writer Michelle Baer Ghaffari labor mightily to spin it into something larger.

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63
Chicago Sun-Times | Roger Ebert

What's lacking is a feeling for the heat and deafening chaos of actual club shows. The movie hangs back a little, folds its arms and nods its head, rather than rushing the stage or diving into the mosh pit. The tumult is depicted, not captured.

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63
The Onion (A.V. Club) | Noel Murray

The movie is exciting at times, moving at times, and watchable throughout, but fans of The Germs and L.A. punk may start to pine for what's missing around the time Michele Hicks shows up.

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58
The New York Times | Jeannette Catsoulis

The movie offers too little of Crash's justly revered lyricism and too much of his self-mutilation and manufactured chaos.

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50
Washington Post | Philip Kennicott

You are left with the feeling that either Grossman hasn't done justice to the Germs or the justice they deserved was to spend eternity as a historical footnote.

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50

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